28 June 2009

Jovan Dais - Rhythm and Streets [2008]


1. Blows My Mind
2. Clap Your Hands (feat. Willie the Kid)
3. Feelin It
4. Just Dont Get It (feat. Willie the Kid)
5. A Gentlemen (feat. Kesan)
6. Fashion Type
7. Stay the Night
8. Intoxicated
9. Go
10. Neva Thought About That
11. So Special (feat. Money Carlo)
12. Cant Nobody
13. How Much I Love You (feat. Kassius Kakes)
14. Gotta Get to My Baby

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There is an undeniable vibe around an artist destined for stardom that speaks to you before they utter a single word. Sitting across from Jovan Dais you can feel the creative energy in the room; it pulls you in and keeps you riveted on this young man whose personality seems to fluctuate from the smooth charm of a ladies man to the street swagger of a bad boy. Grounded in the classical sounds of rhythm and blues with an updated twist, the musical talent of Jovan Dais and his artistic confidence are what set him apart. The 6-foot, charismatic singer, personifies class, style and creativity which is expressed in his self-penned lyrics, and displayed in his approachable image.

Jovanâs story is every bit as multifaceted as what he brings to the table artistically. Born in the Bronx and raised in Atlanta, Jovanâs childhood memories are split between a mother who loved R&B and introduced him to music by playing artists like Marvin Gaye, Blue Magic, Harold Melvin and Blue Notes around the house and a father who would moonlight as a deejay and managed various musical acts (such as the popular 90âs Latin group Barrio Boyzz). Jovanâs father exposed his talented son to his business early on by taking him around innovators in the business including industry legends Dallas Austin and Maurice Star. His fatherâs connections also afforded Jovan the opportunity to travel on the road with artists like early 90âs R&B group The Boyz (Dial My Heart, Crazy), which introduced the impressionable youngster to the entertainment lifestyle.

As a teen, Jovan played drums in his high school marching band and performed in several music groups, including a gospel rap clique, Godâs Little Angels, in which he rapped, produced tracks and wrote hooks. Although the group would eventually disband, this experience would prepare him for things to come. As a solo artist Jovan experienced years of spending hard earned money at local overpriced studios and leaving with poor quality recordings. Jovan realized he needed to create his own environment to make music to meet his outstanding expectations of being a world wide star. In 2002, with a $5,000 loan from his father, Jovan moved into an empty warehouse space near downtown, purchased some wood, recording equipment and began construction on his own studio. Working with a limited budget he single-handedly built a bedroom and recording booth, and began working on his demo.

A few years later another connection through his father resulted in an opportunity for Jovan to travel overseas to record. âI ended up signing an international management deal and going over to Belgium to record. They had me doing stuff that just wasnât me.â While the trip didnât result in Jovanâs big break he believes it was a turning point in finding out who he was as an artist and his character as a man. The trip also resulted in Jovan penning his first breakout hit âFedExâ. âIt was a great opportunity but, I was so lonely over there. I was missing home and all the things Iâd taken for granted. As I was sitting in a café I noticed a FedEx truck passing by and I started writing on a napkin about how I wished I could FedEx myself home,â Jovan recalls. Upon returning stateside Jovan enlisted local producer Kevven âK-Hampâ Hamilton to produce the music for âFedExâ, and Anotha Dais Productions was established.

âFedExâ created a buzz and was released with six other songs as an EP. In May 2004, as Jovanâs name began to circulate around the Atlanta music scene, he entered a joint venture deal with independent label/marketing firm Cloud 9 Entertainment. Through Cloud 9, Jovan was able to work with established producers Ryan Leslie (Britney Spears, Beyonce, Cassie) and former Bad Boy producers Stevie J and J-Dub, who produced Jovanâs first official single, âNeed Youâ featuring former Bad Boy rapper Loon. Though the track sold a respectable number of copies, generating regional airplay, it did not lead to a major distribution deal and the companies parted ways.

While, Jovan would prefer to perform with his multifaceted 8-piece band, his musical material isnât restricted to the confines of the contemporary R&B genre. Jovanâs dual style was showcased perfectly on the groundbreaking mixtape entitled 24: Season One, hosted by DJ Don Cannon (Aphilliates). Cannon and DJ Sense immediately labeled Jovanâs innovative approach âRhythm and Streetsâ and he became the first R&B artist to put out a mix tape hosted by the Aphilliates. The mix tape segues between Jovanâs smooth vocals and his hip-hop driven altar ego boldly challenging the current state of R&B. âNo one is making real records anymore,â Jovan insists, âItâs a joke. People know it but no one is saying it.â 24: Season Two hit the streets early in 2007.

As 24: Season One made its rounds throughout the southern region, Jovanâs name began buzzing on everyoneâs radar including longtime friend DJ Toomp. Toomp recognized Jovanâs star quality and offered to shop him along with his label N Zone Entertainment for distribution. âToomp is more than a business partner, he is a mentor and a friend,â Jovan says of his relationship with the infamous ATL beat banger. Coincidentally Toompâs Sound Trap Studio is now housed in the very building that Jovan built a few years back, and is home to the offices of ZoneBoy Productions and N Zone Entertainment.

Jovan first received chart success with the Toomp-stamped hit single âGotta Get to My Babyâ which at its height, reached the 2 spot on the Billboard Hot Singles Sales Chart quickly surpassing many other artists with major label backing and much larger promotional budgets. The record achieved regional success and caught the eyes of many label executives positioning Jovan as an artist to watch.

In April 2007, Jovan was selected to go on the Seagram's Gin Live Tour with rap duo Clipse and R&B sensation Mya. The eleven city tour gave him the opportunity to garner national attention with dates in D.C, New York, and Miami. The tour was not only a pivotal point in Jovan's career but a springboard for the next level of opportunities awaiting him. While touring, Jovan began filming a documentary on his life as an independent artist on his first tour and the struggles of trying to make it in the music industry. The documentary, tentatively titled DAIS AWAY: JOVAN DAIS, guarantees a raw and un-cut version of the journey an artist takes to success in the entertainment business. While filming the documentary Jovan developed a passion for film editing and now adds film director to his repertoire of talent. In addition to Dais Ahead: The Jovan Dais Documentary, he has several other original Film and Television programs in the works including: Americaâs Next Great Songwriter and The Narrator (A Short Film and Soundtrack).

Having experienced the ups and downs of the industry, Jovan has developed a thick skin, in addition to evolving into an even more seasoned artist, performer and businessman. Equipped with a catalog of album-ready songs and an aggressive team in place; Jovan has taken control of his destiny with Anotha Dais Productions and is patiently waiting to take the industry by storm.

People who are interested in R. Kelly Robin Thicke Trey Songz should consider this download.

13 June 2009

Damita - No Looking Back [2008]




1.Plain & Simple
2.Say Yeah
3.Best Thing
4.Midnite
5.I Will Trust (Intro)
6.I Will Trust
7.Great God
8.No Looking Back
9.Crossing Over
10.Don't Leave Me Lonely
11.Torn Up
12.I Won't Complain
13.Pray
14.No Looking Back [Pop Gospel Mix]

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No Looking Back is an impressive urban gospel release, and easily one of the year's big comebacks in the genre

If one were to list the key artists who gave rise to urban gospel music in the last decade, most would probably list the usual suspects—Kirk Franklin, Mary Mary, Yolanda Adams. Another that deserves to be included in that bunch is Damita, even though her impressive self-titled major label debut failed to make as big of waves in the industry. Vocally, Damita is no Yolanda, but her first disc proved she was every bit as sassy, spirit-led, and self-assured. Her gifting is more delicate and understated—a quiet storm that could go from a fragile whisper to a thunderous, soaring soprano.

Perhaps Damita was too delicate and eclectic to catch on, but the singer is finally back with a follow-up. Eight years is a long time in-between projects, but the quality of No Turning Back renders the lapse irrelevant. You'd think Damita would be rusty or out of form after all this time, but that's far from the case here. Her voice is as potent as ever, commanding every track with the confidence of a leading lady, right on par with gospel sirens two years her senior.

Like the music of her husband, recording artists Deitrick Haddon, Damita favors the urban side of the gospel spectrum. She refrains from waxing churchy or melismatic, instead making a conscious effort to skew younger by remaining true to the music she loves, namely, uncomplicated yet extremely effective urban pop. Her style is melodic to the core—urban in approach but unabashedly pop, like a Christian version of Rihanna (except Damita could sing circles around her).

Amid the thumping beds and the top-rate production, the heart of Damita shines. She doesn't get lost in the hotness of the beats, letting instead her voice do the talking, no matter if she's tackling airy pop ("Great God"), calypso-flavored worship ("Best Thing"), Janet-styled urban jams ("Torn Up"), organic acoustic soul ("Midnite"), classic R&B ("Pray"), or a knockout, guitar-laced cover of a gospel hit ("I Won't Complain").

Since the title makes it seem like Damita has every intention to keep on making music, let's hope No Turning Back means the songstress won't be taking another extended hiatus, and that she's back for good.


If you were into deitrick haddon and his amazing tracks courtesy of Tim&Bob, then you wouldn't want to miss out on his wife. Damita's album is a really astonishing R&B Gospel album, Songs like "Torn Up" or even "Don't Leave Me Lonely" would leave you craving for more from this talented singer with a very bright future ahead. Props to Tim&Bob for their incredible work recently too. Grab it, nuff said.

http://www.myspace.com/mrsdamitahaddon

Tonex - Oak Park 92106 [2007]



1.Now
2.Alright
3.You
4.Holy-Ness
5.Can't U See?
6.Priceless
7.Fail U
8.Out the Game - (with Gibraan)
9.Feelings - (with Karen Carpenter)
10.Yes - (with Montell Jordan)
11.Like
12.Anthony
13.My Friend
14.Tippy - (with Rhonda Patton)
15.God'z Got It
16.Hup! - (with Omega)

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Grammy-nominated, multi-award winning music superstar Tonéx brings another Hallmark gift to his fans. This is the Japanese import edition of his album entitled "OAK PARK 921'06." This disc is available at every major retailer in Japan, and now it's made available to the U.S. through Amazon.com. Nothing will prepare the public for the lead smash single "FAIL U". It's definitely a psychedelic dance-invoking club banger. In this cut, Tonéx displays his dynamic voice range and music production that's unlike any other. The intro alone will force you to keep "Fail U" on repeat. The various components of this song are unforgettable, melding hip-hop with pop, funk, and gospel. "Fail U" coins the new realm of music..."Gospop." Tonéx also teams up with multi-platinum recording artist/actor Montell Jordan on the track "Yes." "This album will challenge you and strengthen your walk with God," says Tonéx. "Just think of it as a Tonéx Reality Show, set to music." He adds, "In this album I tell it all about life, love, tragedy and triumph."

This is one amazing R&B Gospel album, with his smooth tenor and laid back beats, its a keeper.

http://www.myspace.com/theofficialtonex